Solo Show - 'Turn and Face The Strange

I've gone and got myself a solo show, which is nice. I say 'I' got it, it wasn't me. It was a lovely lady in Canada. That's where the show is, see.

They even designed me a poster, which was good of them.

They even designed me a poster, which was good of them.

The show comprises of a series of minimalist collages exploring how people deal with the surreal situations they find themselves in. It's quite relevant to today, I think. Imagine ten years ago telling someone the leader of the free world would be a bloated reality TV star, or that The UK would leave the EU at arguably its most unstable time since the war. Comprehend what you'd think if a few years back someone would tell you that 1% of the global population has more wealth than the other 99% combined, or the British Government is being propped up by creationist terrorists. How would you react if you saw a live debate in parliament where a bunch of slags voted to indiscriminately bomb a country, killing children, as a solution to combatting home-grown terrorists? Yes. It is a truly horrific and bizarre time to be alive.

I am interested to see how people react; be it apathy, anger, proactivity, acceptance, or protest. For me, a giant floating red ball is about as easy to imagine as Trump pulling out of the Paris Climate Agreement, or a bomb going off at a concert attended by kids is as unfathomable to me as a massive geometric triangle that obscures everything. Do we fight against it, or accept it as part of modern living? Working around it so as not to cause a fuss?

The show is on at The Green Room at eBar until July 8th. 

Like Me As You Do exhibit at The Scandinavian Collage Museum

Scandinavia is ace. They make beautifully dark drama, have the best work to life balance on the planet and their furniture is sharper than one of Cary Grant's ties. Very much the opposite to the UK, where we have Hollyoaks, Orwellian working conditions and DFS.

It's also home to The Scandinavian Collage Museum, which is in Norway. Their latest exhibit, 'Like Me as You Do' features work from collage artists all over the globe. I'm one of them. Imagine that?

The piece I submitted is below, and can be viewed in the flesh at the museum until 26th March. If anyone's interested in buying it afterwards, fire me a message.


They do a little interview on all the featured artists to delve into their warped, fantastical minds.  Here's mine transcribed:

Who are you?

An illustrator, collage artist, whose work occasionally pops up around town. I have a genuine desire to put a message across whilst also making people have a giggle at the absurdity of life. We live in a truly hideous time, economically, politically and socially, and I feel art is a perfect medium to make people take stock of that. If I can be part of that in a little way then I'll have achieved something in this life.

What work do you most enjoy doing?

I fell into collage a year or so ago. I have always illustrated and printed, and found that collage worked well with my silkscreen prints. I soon realised that collage was an incredibly effective medium to create work that I want to put across. As for a style, I enjoy minimalist work as well as more complicated surrealist stuff, depending what the project is. The Pop Art movement, as well as the Punk ethos, are a continued influence.

What's your favourite collage artist or work?

The Dada artist Hannah Hoch, I feel, made collage an actual art form rather than something people did as a past time. I can look at her work for hours and always see something new. Peter Blake, Eduardo Paolozzi and Richard Hamilton took the way of working with collage to a higher level. Peter Blake in particular is a different gravy. His work is consistently stunning, and he mixes media better than anyone out there.

Away from collage, I am fascinated by the Atelier Popular movement. These were a bunch of students who thought 'fuck this' and used their gift to drive forward social change whilst creating posters that are cooler than Steve McQueen's fridge.

What memorable responses have you had from your work?

Like all artists, I enjoy hearing from people who dig my work. When you get that it says that person is on your wavelength and, as such, validates what you do. I equally love offending people with my work. Similarly to the first point, whoever doesn't get it to the point of being openly offended deserves to feel like that and my art has worked again.

Before Christmas I did an art fair that happened to be in Liverpool Cathedral. Aside from some great local artists, and plenty of people who liked my work and were interesting to engage with, there were lots of craft stalls which I can't really abide. As such, there was a lot of the craft crew who would stop by my stall and make their annoyance at my stuff felt. These are the same wankers who think a 'Keep Calm and Carry On' poster is edgy and looks good in their kitchen. One woman looked at my 'COCK' screen print and asked if I had permission to sell something so vulgar in a house of God. I told her that me selling a rude print would've been far from the worst think that had happened in the building.

What is your dream project?

I'm asked this a fair bit and I always give some daft answer like 'illustrating Jeremy Clarkson's execution' to hide the fact I don't actually know the answer. If I like the vibe of something I will undertake it. Without sounding sanctimonious, I take everything I do as a big project. To that end, I hope to keep on getting my work to as many people as possible and making them think, take action and laugh.


The exhibit runs from 25th January to 26th March.